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Ms. Yan has not filed any lawsuits over her claim. For now, Mr. Walker said, her legal team is seeking a settlement in France or the United States.
Isabelle Denis, the head of legal and business affairs for Wild Bunch International, the film’s international distributor in Paris, told The Times in an email that the company did not produce “One Second” and therefore had no authority to either judge Ms. Yan’s claim about a missing screen credit or act as an intermediary between her and the filmmaker.
Big picture
Ms. Yan’s case echoes previous instances of movie censorship in China, a country that is a huge source of income for Hollywood. This year, for example, the ending of “Fight Club,” the 1999 cult movie starring Brad Pitt, was cut from its Chinese edition. It was restored only after the changes drew international attention.
In Ms. Yan’s case, her lawyers would probably not be able to make a strong legal case for giving her a credit in “One Second” because Mr. Zhang never agreed in writing to do so, said Victoria L. Schwartz, a law professor at Pepperdine University in Malibu, Calif.
However, legal exposure is not the same as reputational risk, said Professor Schwartz, who specializes in entertainment law and intellectual property disputes. Ms. Yan’s campaign, she said, raises the question of whether the film industry in the United States, including labor unions that represent writers, should develop better standards for evaluating international films from “censor-heavy markets.”
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